Bathtub
This is a candid photo set shot in the bathroom of the models' plushy dressing room in the SCORE Studio. It was one of the first forays into pure digital photography. Chloe once again shows her mastery of modeling and her knowledge of her body. Her naturalness and relaxed body language are studies in artistic elegance. Most websites began the shift to all digital around this time although it lacks the sharpness and depth of field of traditional slide film. (Most of the ChloesWorld.com sets are scanned from slides.)
Bathtub
This is a candid photo set shot in the bathroom of the models' plushy dressing room in the SCORE Studio. It was one of the first forays into pure digital photography. Chloe once again shows her mastery of modeling and her knowledge of her body. Her naturalness and relaxed body language are studies in artistic elegance. Most websites began the shift to all digital around this time although it lacks the sharpness and depth of field of traditional slide film. (Most of the ChloesWorld.com sets are scanned from slides.)
Bathtub
This is a candid photo set shot in the bathroom of the models' plushy dressing room in the SCORE Studio. It was one of the first forays into pure digital photography. Chloe once again shows her mastery of modeling and her knowledge of her body. Her naturalness and relaxed body language are studies in artistic elegance. Most websites began the shift to all digital around this time although it lacks the sharpness and depth of field of traditional slide film. (Most of the ChloesWorld.com sets are scanned from slides.)
Bathtub
This is a candid photo set shot in the bathroom of the models' plushy dressing room in the SCORE Studio. It was one of the first forays into pure digital photography. Chloe once again shows her mastery of modeling and her knowledge of her body. Her naturalness and relaxed body language are studies in artistic elegance. Most websites began the shift to all digital around this time although it lacks the sharpness and depth of field of traditional slide film. (Most of the ChloesWorld.com sets are scanned from slides.)
Chloe’s Medieval Fantasies
Guest commentary by essayist and noted film critic, Stefano P. Morrocchi) This week's pictorial, though certainly not as long as the average ChloeWorld photo set, has a bizarre force that needs less pictures to tell its story. Any one of the photos here could have been a poster for an Italian Gothic horror movie from the 1960s. Does anyone remember the British actress Barbara Steele from such crepuscular films as Nightmare Castle (1965)? Or the lascivious films of Spanish horror king, Paul Naschy, such as El Espanto Surge de la Tumba (Horror Rises From The Tomb-1972)? There is unintentional homage to the lurid covers of horror comics like Creepy, and of the paperback thriller novels of Italy known as "gialli" with its scantily clad damsels-in-distress. In this splendid pictorial, the themes of male domination, female subjugation, phallus worship and subservience run riot in as stark a setting as possible. Chloe's metallic mesh mini-dress is an eye-opening costume as it form-fits to her lush, beautiful curves, the spaces between the metal chain allowing those magnificent brown nipples to poke through. The leash of servility leading to the suit of armor and her binding wrist bands completes the effect of surrealistic moodiness. Chloe is quite a fine actress as this buxom chained maiden enthralled to the sinister "Knight." But where? In some rank dungeon or torture chamber of a forbiddingly dark castle of the middle ages, where beautiful busty slave girls are held captive by horrible villains? One can only fantasize what Chloe would have been like as an actress-heroine in those older Gothic supernatural films. These images were photographed at the studio of an artist/photographer friend of SCORE lensman Peter Wall. It was also the same studio in which Chloe was body painted for the pictorial called Air Brush. The suit of armor is an authentic piece, part of the artist's personal collection, not a modern-day copy. Peter and Chloe saw the "Knight" and thought that it would lend an otherworldly air to an unusual series of photographs, possibly Chloe's most darkly forbidden pictorial ever.
Chloe’s Medieval Fantasies
Guest commentary by essayist and noted film critic, Stefano P. Morrocchi) This week's pictorial, though certainly not as long as the average ChloeWorld photo set, has a bizarre force that needs less pictures to tell its story. Any one of the photos here could have been a poster for an Italian Gothic horror movie from the 1960s. Does anyone remember the British actress Barbara Steele from such crepuscular films as Nightmare Castle (1965)? Or the lascivious films of Spanish horror king, Paul Naschy, such as El Espanto Surge de la Tumba (Horror Rises From The Tomb-1972)? There is unintentional homage to the lurid covers of horror comics like Creepy, and of the paperback thriller novels of Italy known as "gialli" with its scantily clad damsels-in-distress. In this splendid pictorial, the themes of male domination, female subjugation, phallus worship and subservience run riot in as stark a setting as possible. Chloe's metallic mesh mini-dress is an eye-opening costume as it form-fits to her lush, beautiful curves, the spaces between the metal chain allowing those magnificent brown nipples to poke through. The leash of servility leading to the suit of armor and her binding wrist bands completes the effect of surrealistic moodiness. Chloe is quite a fine actress as this buxom chained maiden enthralled to the sinister "Knight." But where? In some rank dungeon or torture chamber of a forbiddingly dark castle of the middle ages, where beautiful busty slave girls are held captive by horrible villains? One can only fantasize what Chloe would have been like as an actress-heroine in those older Gothic supernatural films. These images were photographed at the studio of an artist/photographer friend of SCORE lensman Peter Wall. It was also the same studio in which Chloe was body painted for the pictorial called Air Brush. The suit of armor is an authentic piece, part of the artist's personal collection, not a modern-day copy. Peter and Chloe saw the "Knight" and thought that it would lend an otherworldly air to an unusual series of photographs, possibly Chloe's most darkly forbidden pictorial ever.
Chloe’s Medieval Fantasies
Guest commentary by essayist and noted film critic, Stefano P. Morrocchi) This week's pictorial, though certainly not as long as the average ChloeWorld photo set, has a bizarre force that needs less pictures to tell its story. Any one of the photos here could have been a poster for an Italian Gothic horror movie from the 1960s. Does anyone remember the British actress Barbara Steele from such crepuscular films as Nightmare Castle (1965)? Or the lascivious films of Spanish horror king, Paul Naschy, such as El Espanto Surge de la Tumba (Horror Rises From The Tomb-1972)? There is unintentional homage to the lurid covers of horror comics like Creepy, and of the paperback thriller novels of Italy known as "gialli" with its scantily clad damsels-in-distress. In this splendid pictorial, the themes of male domination, female subjugation, phallus worship and subservience run riot in as stark a setting as possible. Chloe's metallic mesh mini-dress is an eye-opening costume as it form-fits to her lush, beautiful curves, the spaces between the metal chain allowing those magnificent brown nipples to poke through. The leash of servility leading to the suit of armor and her binding wrist bands completes the effect of surrealistic moodiness. Chloe is quite a fine actress as this buxom chained maiden enthralled to the sinister "Knight." But where? In some rank dungeon or torture chamber of a forbiddingly dark castle of the middle ages, where beautiful busty slave girls are held captive by horrible villains? One can only fantasize what Chloe would have been like as an actress-heroine in those older Gothic supernatural films. These images were photographed at the studio of an artist/photographer friend of SCORE lensman Peter Wall. It was also the same studio in which Chloe was body painted for the pictorial called Air Brush. The suit of armor is an authentic piece, part of the artist's personal collection, not a modern-day copy. Peter and Chloe saw the "Knight" and thought that it would lend an otherworldly air to an unusual series of photographs, possibly Chloe's most darkly forbidden pictorial ever.
Chloe’s Medieval Fantasies
Guest commentary by essayist and noted film critic, Stefano P. Morrocchi) This week's pictorial, though certainly not as long as the average ChloeWorld photo set, has a bizarre force that needs less pictures to tell its story. Any one of the photos here could have been a poster for an Italian Gothic horror movie from the 1960s. Does anyone remember the British actress Barbara Steele from such crepuscular films as Nightmare Castle (1965)? Or the lascivious films of Spanish horror king, Paul Naschy, such as El Espanto Surge de la Tumba (Horror Rises From The Tomb-1972)? There is unintentional homage to the lurid covers of horror comics like Creepy, and of the paperback thriller novels of Italy known as "gialli" with its scantily clad damsels-in-distress. In this splendid pictorial, the themes of male domination, female subjugation, phallus worship and subservience run riot in as stark a setting as possible. Chloe's metallic mesh mini-dress is an eye-opening costume as it form-fits to her lush, beautiful curves, the spaces between the metal chain allowing those magnificent brown nipples to poke through. The leash of servility leading to the suit of armor and her binding wrist bands completes the effect of surrealistic moodiness. Chloe is quite a fine actress as this buxom chained maiden enthralled to the sinister "Knight." But where? In some rank dungeon or torture chamber of a forbiddingly dark castle of the middle ages, where beautiful busty slave girls are held captive by horrible villains? One can only fantasize what Chloe would have been like as an actress-heroine in those older Gothic supernatural films. These images were photographed at the studio of an artist/photographer friend of SCORE lensman Peter Wall. It was also the same studio in which Chloe was body painted for the pictorial called Air Brush. The suit of armor is an authentic piece, part of the artist's personal collection, not a modern-day copy. Peter and Chloe saw the "Knight" and thought that it would lend an otherworldly air to an unusual series of photographs, possibly Chloe's most darkly forbidden pictorial ever.
Chloe’s Medieval Fantasies
Guest commentary by essayist and noted film critic, Stefano P. Morrocchi) This week's pictorial, though certainly not as long as the average ChloeWorld photo set, has a bizarre force that needs less pictures to tell its story. Any one of the photos here could have been a poster for an Italian Gothic horror movie from the 1960s. Does anyone remember the British actress Barbara Steele from such crepuscular films as Nightmare Castle (1965)? Or the lascivious films of Spanish horror king, Paul Naschy, such as El Espanto Surge de la Tumba (Horror Rises From The Tomb-1972)? There is unintentional homage to the lurid covers of horror comics like Creepy, and of the paperback thriller novels of Italy known as "gialli" with its scantily clad damsels-in-distress. In this splendid pictorial, the themes of male domination, female subjugation, phallus worship and subservience run riot in as stark a setting as possible. Chloe's metallic mesh mini-dress is an eye-opening costume as it form-fits to her lush, beautiful curves, the spaces between the metal chain allowing those magnificent brown nipples to poke through. The leash of servility leading to the suit of armor and her binding wrist bands completes the effect of surrealistic moodiness. Chloe is quite a fine actress as this buxom chained maiden enthralled to the sinister "Knight." But where? In some rank dungeon or torture chamber of a forbiddingly dark castle of the middle ages, where beautiful busty slave girls are held captive by horrible villains? One can only fantasize what Chloe would have been like as an actress-heroine in those older Gothic supernatural films. These images were photographed at the studio of an artist/photographer friend of SCORE lensman Peter Wall. It was also the same studio in which Chloe was body painted for the pictorial called Air Brush. The suit of armor is an authentic piece, part of the artist's personal collection, not a modern-day copy. Peter and Chloe saw the "Knight" and thought that it would lend an otherworldly air to an unusual series of photographs, possibly Chloe's most darkly forbidden pictorial ever.
Chloe’s Medieval Fantasies
Guest commentary by essayist and noted film critic, Stefano P. Morrocchi) This week's pictorial, though certainly not as long as the average ChloeWorld photo set, has a bizarre force that needs less pictures to tell its story. Any one of the photos here could have been a poster for an Italian Gothic horror movie from the 1960s. Does anyone remember the British actress Barbara Steele from such crepuscular films as Nightmare Castle (1965)? Or the lascivious films of Spanish horror king, Paul Naschy, such as El Espanto Surge de la Tumba (Horror Rises From The Tomb-1972)? There is unintentional homage to the lurid covers of horror comics like Creepy, and of the paperback thriller novels of Italy known as "gialli" with its scantily clad damsels-in-distress. In this splendid pictorial, the themes of male domination, female subjugation, phallus worship and subservience run riot in as stark a setting as possible. Chloe's metallic mesh mini-dress is an eye-opening costume as it form-fits to her lush, beautiful curves, the spaces between the metal chain allowing those magnificent brown nipples to poke through. The leash of servility leading to the suit of armor and her binding wrist bands completes the effect of surrealistic moodiness. Chloe is quite a fine actress as this buxom chained maiden enthralled to the sinister "Knight." But where? In some rank dungeon or torture chamber of a forbiddingly dark castle of the middle ages, where beautiful busty slave girls are held captive by horrible villains? One can only fantasize what Chloe would have been like as an actress-heroine in those older Gothic supernatural films. These images were photographed at the studio of an artist/photographer friend of SCORE lensman Peter Wall. It was also the same studio in which Chloe was body painted for the pictorial called Air Brush. The suit of armor is an authentic piece, part of the artist's personal collection, not a modern-day copy. Peter and Chloe saw the "Knight" and thought that it would lend an otherworldly air to an unusual series of photographs, possibly Chloe's most darkly forbidden pictorial ever.
Anatomy Of A Superstar
When the Miami photo shoots were planned for ChloesWorld.com, the editors had creative brainstorming sessions, as they do for other models. Chloe was different. Being one of the top models, extra attention and extra details were called for. John Fox came up with the idea, "An Anatomy of a Superstar." This helped to spark a new wave of pictorial ideas. Up until this time, most photo shoots, whether our own or purchased from an outside studio took the traditional approach, almost always a striptease, whether it was done in a bedroom, living room or outdoor setting. Most photographers and editors have their "shot list." These are the requisite poses that comprise a pictorial. For example, positions on hands and knees to show the breasts hanging, side shots, standing straight and bending from the waist, and so on. Standard poses you've seen a thousand times in many magazines and websites, depending on how long you've been hooked on boobonics. The mold got broken with shoots like Anatomy of a Superstar, with pictorials that tackled a theme or concept which would not have succeeded as magazine spreads but were certainly a refreshing change of pace from the status quo and the standard, "been there, done that" positions.
Chloe And Ginger
Chloe and Ginger, an 18eighteen Magazine model, went tit-to-tit, or should we say tit-to-teat, in the April 2001 SCORE Magazine (sold out). This pictorial was a surprisingly big hit with Chloe fans because of the novelty match-up technique--something very different than Chloe's previous and erotically-oriented girl-girl pussy parties. It was the anatomical, non-sexual comparison photography that made it what it was with the readers. It was originally a spontaneous and quickie shoot by request of SCORE's editor, who was going for a somewhat clinical physique study for a few pages in his magazine. With perfect 20-20 hindsight, we can say now that we should have burned at least four rolls of film, getting perspectives of their very dissimilar bodies in every angle and pose. Well, you can't cry over spilt breast milk. Later on, the dynamic duo did a true whack-off inspiring photo shoot called Chloe The Doctor, with Chloe giving sweet Rebecca a gyno exam in the SCORE Medical Clinic. That photo story got down to the real deal and has an oddly perverse air as patient Ginger worshipped Chloe's clitty with her snake-like tongue and Doctor Chloe orally savored Rebecca's bald and wet pussy. Wrote Chloe: "When Ginger, a young girl model, was in the studio the same day as I was scheduled, she and I were fooling around in our doctor's office set and lo and behold the photographers thought this was a great idea for a big boob, little boob set."
Chloe And Ginger
Chloe and Ginger, an 18eighteen Magazine model, went tit-to-tit, or should we say tit-to-teat, in the April 2001 SCORE Magazine (sold out). This pictorial was a surprisingly big hit with Chloe fans because of the novelty match-up technique--something very different than Chloe's previous and erotically-oriented girl-girl pussy parties. It was the anatomical, non-sexual comparison photography that made it what it was with the readers. It was originally a spontaneous and quickie shoot by request of SCORE's editor, who was going for a somewhat clinical physique study for a few pages in his magazine. With perfect 20-20 hindsight, we can say now that we should have burned at least four rolls of film, getting perspectives of their very dissimilar bodies in every angle and pose. Well, you can't cry over spilt breast milk. Later on, the dynamic duo did a true whack-off inspiring photo shoot called Chloe The Doctor, with Chloe giving sweet Rebecca a gyno exam in the SCORE Medical Clinic. That photo story got down to the real deal and has an oddly perverse air as patient Ginger worshipped Chloe's clitty with her snake-like tongue and Doctor Chloe orally savored Rebecca's bald and wet pussy. Wrote Chloe: "When Ginger, a young girl model, was in the studio the same day as I was scheduled, she and I were fooling around in our doctor's office set and lo and behold the photographers thought this was a great idea for a big boob, little boob set."
Chloe And Ginger
Chloe and Ginger, an 18eighteen Magazine model, went tit-to-tit, or should we say tit-to-teat, in the April 2001 SCORE Magazine (sold out). This pictorial was a surprisingly big hit with Chloe fans because of the novelty match-up technique--something very different than Chloe's previous and erotically-oriented girl-girl pussy parties. It was the anatomical, non-sexual comparison photography that made it what it was with the readers. It was originally a spontaneous and quickie shoot by request of SCORE's editor, who was going for a somewhat clinical physique study for a few pages in his magazine. With perfect 20-20 hindsight, we can say now that we should have burned at least four rolls of film, getting perspectives of their very dissimilar bodies in every angle and pose. Well, you can't cry over spilt breast milk. Later on, the dynamic duo did a true whack-off inspiring photo shoot called Chloe The Doctor, with Chloe giving sweet Rebecca a gyno exam in the SCORE Medical Clinic. That photo story got down to the real deal and has an oddly perverse air as patient Ginger worshipped Chloe's clitty with her snake-like tongue and Doctor Chloe orally savored Rebecca's bald and wet pussy. Wrote Chloe: "When Ginger, a young girl model, was in the studio the same day as I was scheduled, she and I were fooling around in our doctor's office set and lo and behold the photographers thought this was a great idea for a big boob, little boob set."
Chloe And Ginger
Chloe and Ginger, an 18eighteen Magazine model, went tit-to-tit, or should we say tit-to-teat, in the April 2001 SCORE Magazine (sold out). This pictorial was a surprisingly big hit with Chloe fans because of the novelty match-up technique--something very different than Chloe's previous and erotically-oriented girl-girl pussy parties. It was the anatomical, non-sexual comparison photography that made it what it was with the readers. It was originally a spontaneous and quickie shoot by request of SCORE's editor, who was going for a somewhat clinical physique study for a few pages in his magazine. With perfect 20-20 hindsight, we can say now that we should have burned at least four rolls of film, getting perspectives of their very dissimilar bodies in every angle and pose. Well, you can't cry over spilt breast milk. Later on, the dynamic duo did a true whack-off inspiring photo shoot called Chloe The Doctor, with Chloe giving sweet Rebecca a gyno exam in the SCORE Medical Clinic. That photo story got down to the real deal and has an oddly perverse air as patient Ginger worshipped Chloe's clitty with her snake-like tongue and Doctor Chloe orally savored Rebecca's bald and wet pussy. Wrote Chloe: "When Ginger, a young girl model, was in the studio the same day as I was scheduled, she and I were fooling around in our doctor's office set and lo and behold the photographers thought this was a great idea for a big boob, little boob set."
Chloe And Ginger
Chloe and Ginger, an 18eighteen Magazine model, went tit-to-tit, or should we say tit-to-teat, in the April 2001 SCORE Magazine (sold out). This pictorial was a surprisingly big hit with Chloe fans because of the novelty match-up technique--something very different than Chloe's previous and erotically-oriented girl-girl pussy parties. It was the anatomical, non-sexual comparison photography that made it what it was with the readers. It was originally a spontaneous and quickie shoot by request of SCORE's editor, who was going for a somewhat clinical physique study for a few pages in his magazine. With perfect 20-20 hindsight, we can say now that we should have burned at least four rolls of film, getting perspectives of their very dissimilar bodies in every angle and pose. Well, you can't cry over spilt breast milk. Later on, the dynamic duo did a true whack-off inspiring photo shoot called Chloe The Doctor, with Chloe giving sweet Rebecca a gyno exam in the SCORE Medical Clinic. That photo story got down to the real deal and has an oddly perverse air as patient Ginger worshipped Chloe's clitty with her snake-like tongue and Doctor Chloe orally savored Rebecca's bald and wet pussy. Wrote Chloe: "When Ginger, a young girl model, was in the studio the same day as I was scheduled, she and I were fooling around in our doctor's office set and lo and behold the photographers thought this was a great idea for a big boob, little boob set."
Chloe And Ginger
Chloe and Ginger, an 18eighteen Magazine model, went tit-to-tit, or should we say tit-to-teat, in the April 2001 SCORE Magazine (sold out). This pictorial was a surprisingly big hit with Chloe fans because of the novelty match-up technique--something very different than Chloe's previous and erotically-oriented girl-girl pussy parties. It was the anatomical, non-sexual comparison photography that made it what it was with the readers. It was originally a spontaneous and quickie shoot by request of SCORE's editor, who was going for a somewhat clinical physique study for a few pages in his magazine. With perfect 20-20 hindsight, we can say now that we should have burned at least four rolls of film, getting perspectives of their very dissimilar bodies in every angle and pose. Well, you can't cry over spilt breast milk. Later on, the dynamic duo did a true whack-off inspiring photo shoot called Chloe The Doctor, with Chloe giving sweet Rebecca a gyno exam in the SCORE Medical Clinic. That photo story got down to the real deal and has an oddly perverse air as patient Ginger worshipped Chloe's clitty with her snake-like tongue and Doctor Chloe orally savored Rebecca's bald and wet pussy. Wrote Chloe: "When Ginger, a young girl model, was in the studio the same day as I was scheduled, she and I were fooling around in our doctor's office set and lo and behold the photographers thought this was a great idea for a big boob, little boob set."
Chloe And Ginger
Chloe and Ginger, an 18eighteen Magazine model, went tit-to-tit, or should we say tit-to-teat, in the April 2001 SCORE Magazine (sold out). This pictorial was a surprisingly big hit with Chloe fans because of the novelty match-up technique--something very different than Chloe's previous and erotically-oriented girl-girl pussy parties. It was the anatomical, non-sexual comparison photography that made it what it was with the readers. It was originally a spontaneous and quickie shoot by request of SCORE's editor, who was going for a somewhat clinical physique study for a few pages in his magazine. With perfect 20-20 hindsight, we can say now that we should have burned at least four rolls of film, getting perspectives of their very dissimilar bodies in every angle and pose. Well, you can't cry over spilt breast milk. Later on, the dynamic duo did a true whack-off inspiring photo shoot called Chloe The Doctor, with Chloe giving sweet Rebecca a gyno exam in the SCORE Medical Clinic. That photo story got down to the real deal and has an oddly perverse air as patient Ginger worshipped Chloe's clitty with her snake-like tongue and Doctor Chloe orally savored Rebecca's bald and wet pussy. Wrote Chloe: "When Ginger, a young girl model, was in the studio the same day as I was scheduled, she and I were fooling around in our doctor's office set and lo and behold the photographers thought this was a great idea for a big boob, little boob set."
Chloe And Ginger
Chloe and Ginger, an 18eighteen Magazine model, went tit-to-tit, or should we say tit-to-teat, in the April 2001 SCORE Magazine (sold out). This pictorial was a surprisingly big hit with Chloe fans because of the novelty match-up technique--something very different than Chloe's previous and erotically-oriented girl-girl pussy parties. It was the anatomical, non-sexual comparison photography that made it what it was with the readers. It was originally a spontaneous and quickie shoot by request of SCORE's editor, who was going for a somewhat clinical physique study for a few pages in his magazine. With perfect 20-20 hindsight, we can say now that we should have burned at least four rolls of film, getting perspectives of their very dissimilar bodies in every angle and pose. Well, you can't cry over spilt breast milk. Later on, the dynamic duo did a true whack-off inspiring photo shoot called Chloe The Doctor, with Chloe giving sweet Rebecca a gyno exam in the SCORE Medical Clinic. That photo story got down to the real deal and has an oddly perverse air as patient Ginger worshipped Chloe's clitty with her snake-like tongue and Doctor Chloe orally savored Rebecca's bald and wet pussy. Wrote Chloe: "When Ginger, a young girl model, was in the studio the same day as I was scheduled, she and I were fooling around in our doctor's office set and lo and behold the photographers thought this was a great idea for a big boob, little boob set."
Chloe And Ginger
Chloe and Ginger, an 18eighteen Magazine model, went tit-to-tit, or should we say tit-to-teat, in the April 2001 SCORE Magazine (sold out). This pictorial was a surprisingly big hit with Chloe fans because of the novelty match-up technique--something very different than Chloe's previous and erotically-oriented girl-girl pussy parties. It was the anatomical, non-sexual comparison photography that made it what it was with the readers. It was originally a spontaneous and quickie shoot by request of SCORE's editor, who was going for a somewhat clinical physique study for a few pages in his magazine. With perfect 20-20 hindsight, we can say now that we should have burned at least four rolls of film, getting perspectives of their very dissimilar bodies in every angle and pose. Well, you can't cry over spilt breast milk. Later on, the dynamic duo did a true whack-off inspiring photo shoot called Chloe The Doctor, with Chloe giving sweet Rebecca a gyno exam in the SCORE Medical Clinic. That photo story got down to the real deal and has an oddly perverse air as patient Ginger worshipped Chloe's clitty with her snake-like tongue and Doctor Chloe orally savored Rebecca's bald and wet pussy. Wrote Chloe: "When Ginger, a young girl model, was in the studio the same day as I was scheduled, she and I were fooling around in our doctor's office set and lo and behold the photographers thought this was a great idea for a big boob, little boob set."